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Publications (7 of 7) Show all publications
Zucconi, B. (2023). Bruno Maderna’s Creative Process Between Analysis and Synthesis: About “Don Giovanni” and Other Mozart’s Scores. In: Angela Ida De Benedictis (Ed.), Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos (pp. 227-243). Boydell & Brewer
Open this publication in new window or tab >>Bruno Maderna’s Creative Process Between Analysis and Synthesis: About “Don Giovanni” and Other Mozart’s Scores
2023 (English)In: Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos / [ed] Angela Ida De Benedictis, Boydell & Brewer, 2023, p. 227-243Chapter in book (Refereed)
Place, publisher, year, edition, pages
Boydell & Brewer, 2023
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-103699 (URN)9781837650309 (ISBN)9781800108974 (ISBN)
Funder
Riksbankens Jubileumsfond, P20-0062
Available from: 2023-01-28 Created: 2023-01-28 Last updated: 2023-01-30Bibliographically approved
Zucconi, B. (2023). In the Beginning Was the Word: Text and Voice as Unifying Elements in Maderna’s Satyricon. In: Angela Ida De Benedictis (Ed.), Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos (pp. 59-84). Boydell & Brewer
Open this publication in new window or tab >>In the Beginning Was the Word: Text and Voice as Unifying Elements in Maderna’s Satyricon
2023 (English)In: Utopia, Innovation, Tradition: Bruno Maderna’s Cosmos / [ed] Angela Ida De Benedictis, Boydell & Brewer, 2023, p. 59-84Chapter in book (Refereed)
Place, publisher, year, edition, pages
Boydell & Brewer, 2023
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-103698 (URN)9781837650309 (ISBN)9781800108974 (ISBN)
Funder
Riksbankens Jubileumsfond, P20-0062
Available from: 2023-01-28 Created: 2023-01-28 Last updated: 2023-01-30Bibliographically approved
Zucconi, B. (2023). Wie die Schallplattenindustrie ästhetische Normativität konstruiert: Die „Archiv Produktion“, oder die Neuaufstellung der Deutschen Grammophon zwischen musikwissenschaftlicher Forschung und Marketing. In: Tobias Janz, Jens Gerrit Papenburg (Ed.), Ästhetische Normativität in der Musik: (pp. 299-320). Vittorio Klostermann Verlag
Open this publication in new window or tab >>Wie die Schallplattenindustrie ästhetische Normativität konstruiert: Die „Archiv Produktion“, oder die Neuaufstellung der Deutschen Grammophon zwischen musikwissenschaftlicher Forschung und Marketing
2023 (German)In: Ästhetische Normativität in der Musik / [ed] Tobias Janz, Jens Gerrit Papenburg, Vittorio Klostermann Verlag, 2023, p. 299-320Chapter in book (Refereed)
Place, publisher, year, edition, pages
Vittorio Klostermann Verlag, 2023
Series
Recht als kultur ; 33
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-103697 (URN)9783465046110 (ISBN)
Funder
Riksbankens Jubileumsfond, P20-0062
Available from: 2023-01-28 Created: 2023-01-28 Last updated: 2023-01-30Bibliographically approved
Zucconi, B. (2021). Il compromesso dodecafonico: “La donna è mobile” di Riccardo Malipiero (1954), opera buffa su dodici suoni. In: Maria Maddalena Novati, Marina Vaccarini (Ed.), Riccardo Malipiero – L’antidogmatico: (pp. 99-117). Milano: die Schachtel NoMus
Open this publication in new window or tab >>Il compromesso dodecafonico: “La donna è mobile” di Riccardo Malipiero (1954), opera buffa su dodici suoni
2021 (Italian)In: Riccardo Malipiero – L’antidogmatico / [ed] Maria Maddalena Novati, Marina Vaccarini, Milano: die Schachtel NoMus , 2021, p. 99-117Chapter in book (Refereed)
Place, publisher, year, edition, pages
Milano: die Schachtel NoMus, 2021
Keywords
twelve-tone music, opera
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-96680 (URN)9788894667707 (ISBN)
Available from: 2022-01-25 Created: 2022-01-25 Last updated: 2023-10-09Bibliographically approved
Zucconi, B. (2021). "Phonographic awareness": discussions around recorded sound in early twentieth-century Italy between aesthetic questions and economic struggles. In: Elodie A. Roy, Eva Moreda Rodriguez (Ed.), Phonographic encounters: Mapping transnational cultures of sound, 1890-1945 (pp. 160-176). New York: Routledge
Open this publication in new window or tab >>"Phonographic awareness": discussions around recorded sound in early twentieth-century Italy between aesthetic questions and economic struggles
2021 (English)In: Phonographic encounters: Mapping transnational cultures of sound, 1890-1945 / [ed] Elodie A. Roy, Eva Moreda Rodriguez, New York: Routledge, 2021, p. 160-176Chapter in book (Refereed)
Abstract [en]

«New media are media we do not yet know how to talk about», claims media historian Benjamin Peters: in fact, the introduction of new media into society has always triggered the production of written documents, which deal in different ways with the ontological and epistemological nature of the new medium. Recorded sound in Italy made no exception: between the 1920s and 1930s several articles about recorded sound began to appear on printed media. Indeed, the Italian phonographic discourse stemmed considerably later, if compared with other European countries, due to the economic, cultural and social configuration of the Peninsula. Nonetheless, two rather animated debates appeared at the same time in two completely different cultural contexts: on one hand, musicians and philosophers connected with the idealistic school of thought by Benedetto Croce started questioning the nature of recordings connected to musical interpretation, also referring to the ideas of European composers such as Igor Stravinsky and Paul Hindemith. On the other hand, a parallel debate, raised in juridical and industrial contexts, aimed at protecting recording industry by applying the new-born copyright laws to it. Starting from opposite premises, these two environments reached the same fundamental questions: what is recorded music? Is it an original production or just a mere re-production? What is the role of performers?, which inevitably defined the ontological substance of recorded music.

Place, publisher, year, edition, pages
New York: Routledge, 2021
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-96478 (URN)9780367439217 (ISBN)
Available from: 2022-01-14 Created: 2022-01-14 Last updated: 2023-10-09Bibliographically approved
Volgsten, U. & Zucconi, B. (2021). The past as repeatable presence: How music changed from an ephemeral event to an ever accessible object (a comparison between sweden and italy during the interwar years). In: : . Paper presented at XVII Internationaler Kongress der Gesellschaft für Musikforschung, Bonn, 28.09.2021 - 01.10.2021.
Open this publication in new window or tab >>The past as repeatable presence: How music changed from an ephemeral event to an ever accessible object (a comparison between sweden and italy during the interwar years)
2021 (English)Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

The aim of this RJ-funded project is to investigate an important condition for music production, distribution and listening in today’s digital world. More specifically it asks the question: How did music change from being regarded as an ephemeral event to becoming an ever-accessible object?  

Not only was music regarded as an event, a collective and communal activity, since ancient times; its change into an ever-accessible object to be listened to at will, even in solitude, only came about over a course of many years. Although recorded sound played a major role, this “ontological turn” did not occur automatically.  

Previous research has located the crucial years of the change to the interwar years. The specific aims of the proposed project are thus to detail what, during these years, can be assumed to be important factors of transformation. Four distinct areas of music and music-related practice are chosen for investigation. These are  

1) music poetics (neue Sachlichkeit, Neoclassicism), 

2) copyright (the grounding of IFPI),

3) radio broadcasting (live and recorded music), and 

4) record reviews/printed media (popular and serious music) 

 In addition to its historical perspective, the the four areas of investigation will be analyzed with respect to their sociological significance as “mediators” (or as sites for mediators) connecting composers and musicians with audiences and listeners. As such the “factors” of transformation will gain a more substantive explanatory force.  

By finally comparing the situations in Sweden and Italy, national idiosyncrasies as well as hypotheses on international (European) commonalities will result. In addition to filling an overdue gap in the history of Western music, the project will provide an important explanatory frame of reference for today’s digitalized music world, showing what is new and what is historically contingent. 

National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-95383 (URN)
Conference
XVII Internationaler Kongress der Gesellschaft für Musikforschung, Bonn, 28.09.2021 - 01.10.2021
Projects
The past as repeatable presence: How phonography changed music from ephemeral event to ever accessible object (a comparison between Sweden and Italy during the interwar years)
Funder
Riksbankens Jubileumsfond, P20-0062
Available from: 2021-11-10 Created: 2021-11-10 Last updated: 2023-10-09Bibliographically approved
Volgsten, U. & Zucconi, B. (2021). The past as repeatable presence: how music changed from an ephemeral event to an ever accessibleobject: a comparison between Sweden and Italy during th interwar years. In: Musikforskning idag 2021 15–16 juni 2021: Program och abstrakt. Paper presented at Musikforskning idag, [DIGITAL], 15-16 juni, 2021. Stockholm: Svenska samfundet för musikforskning
Open this publication in new window or tab >>The past as repeatable presence: how music changed from an ephemeral event to an ever accessibleobject: a comparison between Sweden and Italy during th interwar years
2021 (English)In: Musikforskning idag 2021 15–16 juni 2021: Program och abstrakt, Stockholm: Svenska samfundet för musikforskning , 2021Conference paper, Oral presentation with published abstract (Refereed)
Abstract [sv]

Syftet med detta projekt är att undersöka ett viktigt villkor för både musikproduktion, distribution och lyssnande i dagens digitala tillvaro. Mer specifikt ställs frågan: Hur förändrades musik från att betraktas som en flyktig händelse till att bli ett allestädes tillgängligt objekt? 

Frågan låter ana ett historiskt perspektiv. Musik betraktades inte bara som en händelse, en kollektiv och gemensam aktivitet, sedan antiken; dess omvandling till ett tillgängligt objekt att lyssna på vid behag, rentav i ensamhet, var en mångårig process. Även om ljudinspelningsteknologin spelade en viktig roll, skedde inte förändringen per automatik.I tidigare forskning av de sökande lokaliseras skiftet till 1900-talets mellankrigsår och projektet innebär fördjupade undersökningar av viktiga företeelser som påverkat musikens förändrade status, t.ex. kompositionstekniker, upphovsrätt, radioutsändningar och skivrecensioner. 

Projektet lyfter en sällsynt fråga i västerländsk musikhistoria. Medan olika föreställningar om vad musik "är" beskrivits i etnologiska jämförelser av olika kulturer (musik förstådd i vid bemärkelse) har frågan rönt mindre intresse i historisk forskning (som snarare uppmärksammat förändringar i kompositionstekniker, genrer, framförandepraxis och lyssnande). I detta projekt är frågan om musikens förändrade status central.  Därmed kommer projektet att bidra till både musikhistoria, medialiseringsforskning, samt till ljud- och teknikstudier, med såväl svar som nya forskningsfrågor.

Place, publisher, year, edition, pages
Stockholm: Svenska samfundet för musikforskning, 2021
National Category
Musicology
Research subject
Musicology
Identifiers
urn:nbn:se:oru:diva-95382 (URN)
Conference
Musikforskning idag, [DIGITAL], 15-16 juni, 2021
Projects
The past as repeatable presence
Funder
Riksbankens Jubileumsfond, P20-0062
Available from: 2021-11-10 Created: 2021-11-10 Last updated: 2023-10-09Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0003-3575-5668

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