This study draws on the theory of Social Semiotics and the methodology of Multimodal Critical Discourse Analysis (MCDA) to examine the textual and visual design of skincare advertisements targeted towards men. The current proliferation of the market for male-oriented facial products represents an important shift towards the increased attention to the beautification of male bodies in Western societies. Such beautification encourages men to work on and improve the self (and face) through intensifying practices of “aesthetic labour.” Aesthetic labour places emphasis on an entrepreneurial self-care and self-control regime that promotes an active late lifestyle fostered through ideas about “successful ageing.” As expected, the analysis of the corpus consisting of advertisements from L'Oréal Men, Nivea Men and Clarins Men shows that the male face is generally constructed as a “problem” that can be cured through the consumption of skincare products. The consumption of these products increases men's visual literacies of the face and hence normalises male beauty practices that seemingly encourage men to care for and work on their skin, which can be construed of as a feminising practice. Nonetheless, the advertisements employ masculine traits and strategies that link cosmetic products to traditional values of masculinity. The beautification of the male body, thus, turns the consumption of skincare products into a performance through which men can maintain their already privileged status in society, rearticulating the double standard of ageing (Sontag, 1972).