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A technology and its vicissitudes: playing the gramophone in Sweden 1903–1945
Örebro universitet, Musikhögskolan. (ACCLAIM, Aesthetics, Culture and Media)ORCID-id: 0000-0002-5809-3575
2019 (engelsk)Inngår i: Popular Music, ISSN 0261-1430, E-ISSN 1474-0095, Vol. 38, nr 2, s. 219-236Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

This inquiry deals with the changing role of the technology and the use of phonographs and gramophones during the first half of the 20th century. Rather than looking at the UK or USA, which much previous research has done, the focus is on peripheral Sweden. More specifically the question is how phonography turned from being a scientific curiosity into becoming an everyday media technology, and how it thereby influenced culture and everyday musical communication. The findings show two distinct approaches to recorded music, which intermingle in today’s unprecedented musicalisation of culture and everyday life around the globe – approaches respectively described as utilitarian and solipsistic.

sted, utgiver, år, opplag, sider
Cambridge University Press, 2019. Vol. 38, nr 2, s. 219-236
Emneord [en]
Music, Musicalization, Mediatization, Gramophone, Livingroom, Solitary Listening
HSV kategori
Forskningsprogram
Musikvetenskap
Identifikatorer
URN: urn:nbn:se:oru:diva-75763DOI: 10.1017/S0261143019000060ISI: 000468365800004Scopus ID: 2-s2.0-85065092642OAI: oai:DiVA.org:oru-75763DiVA, id: diva2:1342594
Forskningsfinansiär
Swedish Research CouncilTilgjengelig fra: 2019-08-14 Laget: 2019-08-14 Sist oppdatert: 2019-08-16bibliografisk kontrollert

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