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A repertoire of possibilities: visualized masculinities in a Swedish sportsclub 1908-09
Örebro universitet, Institutionen för hälsovetenskaper.ORCID-id: 0000-0002-4985-3595
2015 (engelsk)Inngår i: Book of abstracts / [ed] Radmann, A., Hedenborg, S., Tsolakidis, E., European College of Sport Science , 2015, s. 280-280Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

Introduction and aim When designing our identities we are inclined to use images of our selves, as well as pictures of ’the others’. Images are interwoven with our culture and society, as well as with definitions of history and truth. The overall aim of this study is to analyse, by using a visual method, masculinizing and de-masculizing processes. More specific, the objective is to study how a dominant masculinity manifested itself in associative visuals (and texts), and how these images of domination changed during from 1908 to 1989. Theory and method Drawing inspiration from Bourdieu (2001) and Connell (1995), the theoretical perspective is based on the production and reproduction of a dominant and hegemonic masculinity manuscript at a associative level. Results from their work reveal that images and expectations about men and women make us asymmetrically associated with e. g. sexuality or age. This means that the norms of masculinity dictate how athletics are visualised or objectified. In turn, the norms and actions of masculinity are hierarchical, i.e. men see themselves in relation to a dominant masculinity or an alternative femininity. (This process always includes several other potential power perceptions.) From this perspective ideals and identities can vary both between men and within the same man, when, for example, the context changes. The method is a textual and visual analysis of how the hegemonic manuscript conditions and permeates the images and texts, e. g. in what is being captured or why, how a photograph is taken, how the athlete is portrayed and so on. More specific, the numerical representations of men and women respectively are counted along with more qualitative characteristics of how men and women were portrayed. Results and discussion The photography of a man always contains a potential to construct and categorise differences of gender. The ambition of the study is to say something universal about the mechanisms of the (re)production of male dominance in an organisation. The overall conclusion shows the difference in being objectified or portrayed, visually and textually, with and without respectively, a preserved subject position and status. Although, there are arguments for a changeable masculinity, sometimes the ideal masculine identity shows little variance. The changing aspects are particularly interesting as the study object grasps over an 80- year period. The discussion will focus on what power mechanisms are being used to reproduce a dominant, masculine order in the association. References Bourdieu, Pierre. (2001). Masculine domination. Cambridge: Polity. Connell, Raewyn. (1995). Masculinities. Berkeley: University of California Press.

sted, utgiver, år, opplag, sider
European College of Sport Science , 2015. s. 280-280
Emneord [en]
Sports history, associative democracy, masculinity
HSV kategori
Forskningsprogram
Historia; Idrottsvetenskap
Identifikatorer
URN: urn:nbn:se:oru:diva-48391ISBN: 978-91-7104-567-6 (tryckt)OAI: oai:DiVA.org:oru-48391DiVA, id: diva2:904317
Konferanse
20th Annual Congress of the European College of Sport Science, Malmö, Sweden, June 24-27, 2015
Tilgjengelig fra: 2016-02-18 Laget: 2016-02-18 Sist oppdatert: 2017-10-17bibliografisk kontrollert

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