Music, Memory and Affect Attunement: Connecting Kurdish Diaspora in Stockholm
2016 (English)In: Culture Unbound. Journal of Current Cultural Research, ISSN 2000-1525, E-ISSN 2000-1525, Vol. 8, no 2, 144-164 p.Article in journal (Refereed) Published
In this article we take as point of departure Maurice Halbwachs’ notion of collective memory, adding the distinction made by Jan Assmann between communicative and cultural memory, and Alfred Schütz’s notion of communication, understood here as the sonorous communication of bodily affect. In combining and cross-fertilizing the concept of memory with that of affective experience our aim is to take a new and productive perspective on music’s role as and in cultural memory, as well as the crucial role played by affect attunement. For examples we draw on interviews and observations from an on-going research project on the role of music in ethnically based associations in Sweden. In addition we also show how music often transgresses the categorical distinctions of collective memory. The main questions we ask are a) to the extent that there is a difference between music serving as a means for, and as content of collective memory (what the memory is ‘about’), how can we account for and explain this difference? and b) how does verbally narrated content relate to the musically sounding when it comes to collective memory?
Place, publisher, year, edition, pages
Linköping: Linköping University Electronic Press, 2016. Vol. 8, no 2, 144-164 p.
Affect, Affect Attunement, Collective Memory, Cultural Memory, Connectivity
Research subject Musicology
IdentifiersURN: urn:nbn:se:oru:diva-53276DOI: 10.3384/cu.2000.1525.1682OAI: oai:DiVA.org:oru-53276DiVA: diva2:1039990
ProjectsMusic Identity and Multiculture