This chapter draws on three different, yet not exclusive, perspectives in order to assess the production, content and distribution strategies of far right-wing video activism on YouTube. First, by drawing on Ahmed’s (2004) theory on affective economies, and the notion that contemporary societies have turned to “culture” (e.g. Kundnani 2012a; Yilmaz 2012), the chapter argues that neo-fascist video activism could be understood as a cultural politics of emotions. Second, this essay discusses how this concoction of violence and masculinity constitutes a particular form of fascist bio-politics. This section taps into some of the ideals of historical fascism (and its historic aesthetics), as well as the sociological aspects of contemporary masculine identity in neo-fascist movements. Thus, this section argues that video activism could be understood as an articulation of masculine bio-politics. Finally, the chapter turns to Benjamin’s (1930/1979) theory of fascism and the aestheticisation of politics, in order to understand how emotions, violence and masculinity are performed in the visual representations of far right-wing activists and practices.