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The seventh art? Art cinema and Ingmar Bergman from an audience perspective
Ghent University, Gent, Belgium; Stockholm University, Stockholm, Sweden. (Film & Visual Communication)ORCID iD: 0000-0001-6152-5618
2022 (English)In: Studies in European Cinema, ISSN 1741-1548, E-ISSN 2040-0594, Vol. 19, no 1, p. 19-34Article in journal (Refereed) Published
Abstract [en]

Art cinema is a contested concept withinfilm studies. Making use of Ingmar Bergman and hisfilms, most of which can be classified as art cinema, I explore art cinema as an interpretative strategy for audiences. First, I explore the concept theoretically and in relation to Bergman and his work. Next, I explore how historical audiences have used the concept in relation to Ingmar Bergman. Participants in Sweden (n = 21) and Belgium (n = 27) make sense of incoherent or incomprehensible narratives in relation to what is known about Bergman contextually. Applying art cinema is historically and culturally specific, and often to “show off” a certain cultural position.

Place, publisher, year, edition, pages
Routledge, 2022. Vol. 19, no 1, p. 19-34
Keywords [en]
Art cinema, audience, filmstudies, Ingmar Bergman, interpretative strategies
National Category
Studies on Film
Identifiers
URN: urn:nbn:se:oru:diva-77980DOI: 10.1080/17411548.2019.1660508ISI: 001070542500002Scopus ID: 2-s2.0-85073994167OAI: oai:DiVA.org:oru-77980DiVA, id: diva2:1371750
Available from: 2019-11-20 Created: 2019-11-20 Last updated: 2023-12-07Bibliographically approved

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Van Belle, Jono

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