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Broadening research in gender and music practice
Södertörn University, Culture and Education, Huddinge, Sweden.
RMIT University, School of Media and Communication, Melbourne, Australia.
Örebro University, School of Music, Theatre and Art.ORCID iD: 0000-0002-9067-9496
2020 (English)In: Popular Music, ISSN 0261-1430, E-ISSN 1474-0095, Vol. 39, no 3-4, p. 636-651, article id PII S0261143020000495Article in journal (Refereed) Published
Abstract [en]

This article builds on research about gender in music practice, concerned with skewed musical canons, ratios and quotas of gender representation, unfair treatment and power dynamics, and the exclusionary enmeshment with music technologies. The aim is to critically discuss what 'gender' is understood to be, how it has been studied and how gendered power has been challenged, in order to suggest new routes for research on gender and music practice. While we count ourselves among the scholars working in the field and critically investigate our own work as well as that of others, the article addresses some additional concerns to those of previous studies by examining how gender is ontologically constructed in these studies, how intersectional approaches can enrich analyses of gender in music practice and how the material dimensions of music practice can be actively addressed. The conclusions outline suggestions for broadening research in gender and music practice.

Place, publisher, year, edition, pages
Cambridge University Press, 2020. Vol. 39, no 3-4, p. 636-651, article id PII S0261143020000495
National Category
Musicology
Identifiers
URN: urn:nbn:se:oru:diva-90952DOI: 10.1017/S0261143020000495ISI: 000630378000015Scopus ID: 2-s2.0-85102887160OAI: oai:DiVA.org:oru-90952DiVA, id: diva2:1543521
Available from: 2021-04-12 Created: 2021-04-12 Last updated: 2021-04-12Bibliographically approved

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de Boise, Sam

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