To Örebro University

oru.seÖrebro University Publications
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Music and Migrants in Swedish Newspapers
Örebro University, School of Music, Theatre and Art.ORCID iD: 0000-0003-4981-012X
Örebro University, School of Music, Theatre and Art.ORCID iD: 0000-0002-5809-3575
2021 (English)Conference paper, Oral presentation only (Refereed)
Abstract [en]

Traditional news media is one of the most important channels of information about contemporary society. It has been acknowledged for long that media representations affect public opinion, meaning that media can alter identifications and in the prolonging social norms and practices participative conditions. Migration is an established topic in traditional news media research, in terms of representations, but music is not. Then, what does music and migration come to mean when put next to each other in a newspaper? And how are these concepts related? To discuss these questions, this presentation draws on a study in which 106 newspaper articles from six major Swedish newspapers published over a period of five years, were analyzed through a discourse theoretic perspective. In the investigated media, ‘music’ is repeatedly described as a tool, capable of affecting social relations and processes. The discursive representation of ‘migrants’ confirms the picture provided in previous research, according to which the ‘migrant’ often is negatively depicted. When the ‘migrant’ is regarded together with representations of music, one can see how the ‘migrant’ identity changes. Instead of being characterized by passivity and complaint, the identity enables agency. Rather than being passive, the ‘migrant’ may now become active in addressing and handling problematic social relations and phenomena. However, the meaning of ‘music’ does not change but become the foundation of a mythic ritual, according to which subjects turn into conforming and well-integrated citizens.

Place, publisher, year, edition, pages
2021.
National Category
Musicology
Identifiers
URN: urn:nbn:se:oru:diva-95397OAI: oai:DiVA.org:oru-95397DiVA, id: diva2:1610843
Conference
Symposium of the ICTM Study Group on Music and Minorities, Uppsala, Sweden, 25-29 October, 2021
Available from: 2021-11-11 Created: 2021-11-11 Last updated: 2021-11-16Bibliographically approved

Open Access in DiVA

No full text in DiVA

Authority records

Ålander, JonasVolgsten, Ulrik

Search in DiVA

By author/editor
Ålander, JonasVolgsten, Ulrik
By organisation
School of Music, Theatre and Art
Musicology

Search outside of DiVA

GoogleGoogle Scholar

urn-nbn

Altmetric score

urn-nbn
Total: 65 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf