As in many other policy areas, there is a rising concern about how to involve the general public in heritage management and preservation. We analyse attempts made by Swedish cultural heritage authorities to initiate new participatory devices. We ask: How is storytelling used as a participatory device? What are the implications of this in terms of how legitimate concerns are reconfigured? Storytelling has a capacity to transform dominant discourses and result in new objects of care. We conclude that even storytelling itself is reconfigured in these practices, resulting in the collection of narratives, with limited transformative effects.