Drawing on tools from Multimodal Critical Discourse Analysis this paper analyses the editing techniques in a Swedish docu-soap showing that humour is used to ridicule the working-class participants, representing them as slow, inflexible, undynamic and unstylish. The paper places this within broader discursive shifts in Sweden where the rise of neoliberalism requires a dismantling of the welfare state, legitimized partly though establishing the lower social economic groups as morally flawed and themselves responsible for their increasingly disadvantaged situation as social inequalities increase.