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  • 1.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Christmas satire on Swedish television: Christopher's Christmas mission2013In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 3, no 3, p. 253-258Article in journal (Refereed)
    Abstract [en]

    The short subject argues that the short animated film, Sagan om Karl-Bertil Jonssons julafton/Christopher's Christmas Mission, which is screened annually on Swedish public service television to the delight of around a million spectators, offers sharp satire criticizing lingering class inequalities in the 1970s, despite decades of Social Democratic rule.

  • 2.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema and Civil Society: The appropriation of cinemas by the workers' and temperance movements in 1940s rural Sweden2013Conference paper (Other academic)
  • 3.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema at the service of civil society: film exhibition in multipurpose venues in Sweden2014In: European Network for Cinema and Media Studies, 2014Conference paper (Other academic)
    Abstract [en]

    Film exhibition was a regular and common feature in hundreds of multipurpose venues owned by local divisions of the temperance and labor movements in Sweden since the beginnings of film. I argue that the investment by civil society in film exhibition is important to understanding Swedish film history and culture at large. It provides an interesting case of blurred boundaries between the state, civil society and the commercial film industry. Film exhibition in the venues provided income for maintaining the venues per se, thus encouraging the continued existence of grassroots progressive activity also after the democratic breakthrough. At the same time, it offered an opportunity for its largely rural audience to participate in the national disciplinary project of gathering the people of the modern welfare state under the auspices of its own spaces.  

  • 4.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema in/and the City2017Conference paper (Other academic)
  • 5.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema is dead. Long live cinema!?: film culture in historical comparative perspective2012Conference paper (Other academic)
  • 6.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema, memory and identity: narrative strategies when remembering cinema-going and film2009Conference paper (Other academic)
  • 7.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema, memory and place-related identities: remembering cinema-going in the post-industrial town of Fagersta in Bergslagen2010In: Regional aesthetics: locating Swedish media / [ed] Erik Hedling, Olof Hedling, Mats Jönsson, Stockholm: Kungliga biblioteket , 2010, p. 169-189Chapter in book (Other academic)
  • 8.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinema memory: National identity as expressed by Swedish elders in an oral history project2013In: Northern Lights: Film & Media Studies Yearbook, Intellect Ltd., 2013, Vol. 11, no 1, p. 109-122Chapter in book (Refereed)
    Abstract [en]

    This article is a contribution to the ‘new cinema history’ vein of media studies concerning the experience of American films in foreign, local contexts. It explores the cinema memory discourse of senior citizens living in a post-industrial mining region in central Sweden. The informants offer a variety of narrative strategies of cinema memory that can be related to social differences within the group based on class, membership in social societies and local geopolitics. The informants also take care to mention Swedish films and actors in more or less equal proportion and with similar enthusiasm compared to American ones, yet Swedish film has only had a limited amount of screen time throughout the age of cinema. The elderly informants’ cinema memories are constructed in dual terms: on the one hand acknowledging traits of cinema culture in terms of glamour, sincerity and novelty tied to the dominant Hollywood fare and on the other hand taking care to anchor the experience of cinema-going in a strong sense of national community. The contention is that the informants are evoking a cinema-going culture that caters to a deeply felt human need of belonging, and this belonging is identified with the prosperous Swedish post-war nation state.

  • 9.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Differences in Programming and Audience Address in Swedish Cinemas of the late 1930s.2013Conference paper (Other academic)
  • 10.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Educational cinema and censorship in Sweden, 1911-19211999In: Nordic explorations: film before 1930 / [ed] John Fullerton, Jan Olsson, London: John Libbey , 1999, p. 152-162Chapter in book (Other academic)
  • 11.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Fairground Amusements and (the Absence of) Film Around 1900. The Example of Örebro, Sweden2005Conference paper (Other academic)
  • 12.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Features of early film culture in rural Sweden2007Conference paper (Other academic)
  • 13.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Film exhibition in Örebro 1897-19022010In: Swedish film: an introduction and reader / [ed] Mariah Larsson, Anders Marklund, Lund: Nordic Academic Press , 2010, p. 47-62Chapter in book (Other academic)
  • 14.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Film i Fagersta: berättelser om biografens betydelse2008Conference paper (Other academic)
  • 15.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Filmanalys2000In: Metoder i kommunikationsvetenskap / [ed] Mats Ekström, Larsåke Larsson, Lund: Studentlitteratur , 2000, 1, p. 247-271Chapter in book (Other academic)
  • 16.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Filmanalys i ett filmpoetiskt perspektiv2010In: Metoder i kommunikationsvetenskap / [ed] Mats Ekström, Larsåke Larsson, Lund: Studentlitteratur AB, 2010, 2, p. 289-303Chapter in book (Other academic)
  • 17.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Filmkultur och nöjesliv i Örebro 1897-19082007Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Åsa Jernudd: Movies and Entertainment in Örebro 1897-1908

    This dissertation is a historical study of film exhibition in the context of emerging popular entertainment in Örebro, a medium-sized town in Sweden, 1897 to 1908. It argues that since 80% of the population resided in towns and rural areas around 1900, studying the impact of film culture in a town setting is essential for an understanding of early film culture in Sweden. The local press is used as primary source of marketing schemes, venues and programming policies as well as of cultural debate and conflict.

    Across Europe, theatres and fairgrounds were the preferred venues of traveling exhibitors of film shows. In Örebro, however, film exhibition preferably took place in the ‘respectable’ halls of voluntary organizations. Of special importance to local film culture were two working class societies: the liberal Arbetareföreningen (AF) and the labor-based Arbetarekommun (AK) ― albeit in different ways. AF, which embraced reformist ideals, owned the most popular venue for film exhibition and transformed their hall into a movie theater in 1907. AK encouraged the working class population to spend leisure time (and money) on popular forms of cheap entertainment by opening an amusement park in town and by frequently organizing bazaars, funfairs and variety shows. Socio-cultural conflict was concentrated to the fairground around the turn of the century and later turned to AK’s bazaars and funfairs. The emerging film culture influenced opinion in the big cities of Sweden, yet in Örebro it only received sporadic public attention.

    In stark contrast to the situation in the big cities, the transformation of itinerant film exhibition to permanent forms was a gradual and relatively inconspicuous process in Örebro that took place in the shadow of AK’s more obtrusive culture of cheap amusements. Three movie theatres opened in 1907 and were accepted by the town’s public with relative ease.

  • 18.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Före biografens tid: kringresande filmförevisares program 1904-19072008In: Välfärdsbilder: svensk film utanför biografen / [ed] Erik Hedling, Mats Jönsson, Stockholm: Statens ljud- och bildarkiv , 2008, p. 31-48Chapter in book (Other academic)
  • 19.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Is the appeal of Hasse & Tage strictly national?: A case study of The adventures of Picasso2011Conference paper (Other academic)
  • 20.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Jakten på forsvunne tilskuere: resepsjonsstudier i filmvitenskapen2009In: Veier tilbake: filmhistoriske perspektiver : festskrift i anledning Gunnar Iversens 50-årsdag 18. januar 2009 / [ed] Sarah Brinch, Anne Gjelsvik, Kristiansand: Höyskoleforlaget , 2009, p. 116-132Chapter in book (Other academic)
  • 21.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Locating (trans)national reflections in film memory2010Conference paper (Other academic)
  • 22.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Modernity, ideology and commerce: locating Swedish cinema history2012Conference paper (Other academic)
  • 23.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    My hope for a diversified cinema culture in Örebro, Sweden2011In: Senses of Cinema, ISSN 1443-4059, E-ISSN 1443-4059, Vol. 58Article in journal (Other (popular science, discussion, etc.))
  • 24.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Nonfiction and Documentary: An Analysis of a Program Inbetween1999Conference paper (Other academic)
  • 25.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Oscar Olsson's African films (1921/22): examples of touristic edutainment1999Book (Other academic)
  • 26.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    Reform and entertainment: film exhibition and leisure in a small town in Sweden at the end of the nineteenth century2005In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 17, no 1, p. 88-105Article in journal (Refereed)
  • 27.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Reform, Temperance and Entertainment: Leisure in a Small Town in Sweden Around 19002004Conference paper (Other academic)
  • 28.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Regulating Public Auditoriums2005Conference paper (Other academic)
  • 29.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Spaces of early film exhibition in Sweden2008Conference paper (Other academic)
  • 30.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Spaces of early film exhibition in Sweden, 1897-19112012In: Cinema, audiences and modernity: new perspectives on European cinema history / [ed] Daniel Biltereyst, Richard Maltby, Philippe Meers, London: Routledge , 2012, 1, p. 19-34Chapter in book (Other academic)
  • 31.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    Teaching cinema studies in Singapore: report from a semester at Wee Kim Wee School of Communication and Information, Nanyang Technological University, as a STINT-fellow within the Excellence-in-Teaching program 20112012Report (Other (popular science, discussion, etc.))
  • 32.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    The Expedition Film. ‘Just Looking’ at Wild Men and Beasts1999Conference paper (Other academic)
  • 33.
    Jernudd, Åsa
    Örebro University, Department of Humanities.
    The expedition film: 'just looking' at Wild men and Beasts?!2000In: Aura: filmvetenskaplig tidskrift, ISSN 1400-8386, Vol. 6, no 4, p. 4-11Article in journal (Refereed)
  • 34.
    Jernudd, Åsa
    Örebro University, School of Humanities, Education and Social Sciences.
    What is Cinema?: Film Exhibition in Multipurpose Community Venues2016Conference paper (Other academic)
  • 35.
    Jernudd, Åsa
    et al.
    Örebro University, School of Humanities, Education and Social Sciences.
    Lundmark, Mats
    Örebro University, School of Humanities, Education and Social Sciences.
    Bio i Bergslagen: Mapping Rural Cinema in Sweden 1956-762017Conference paper (Other academic)
    Abstract [en]

    The 1950s to the mid1970s marks the final phase of urbanization in Sweden and full implementation of the Social democratic welfare state. It’s a period of prosperity in which the industries and their workforce are celebrated and provide models and standards also for other wakes of society and life.

    In the year 1956 cinema going peaked in Sweden! Seven years later the number of cinema tickets sold had cut back by half and continued to dwindle. Is television to be blamed?

    For the rural and industrial region of Bergslagen we will present a cinema location analysis that identifies the venues that persisted with film exhibition 1956-76. The map is layered with data on population density, ownership of television sets, entertainment hubs and transportation routes. An analysis will address the hypothesis (1) that cinema more or less perished in rural areas (2) as a result of the dissemination of television. We seek to complicate the history of rural cinema by exploring social, cultural and geographical relations in the region. The result is an attempt at writing rural industrial history taking leisure as a point of departure, rather than the more established practice of organizing the historical narrative around “work”.

  • 36.
    Jernudd, Åsa
    et al.
    Örebro University, School of Humanities, Education and Social Sciences.
    Lundmark, Mats
    Örebro University, School of Humanities, Education and Social Sciences.
    Cinemagoing in Sweden in the 1940s: Civil society organisations and the expansion of rural film exhibition2017In: Cinema beyond the City: Small-town and rural film culture in Europe / [ed] Thissen, J. and Zimmermann, C., London: Palgrave Macmillan, 2017Chapter in book (Refereed)
  • 37.
    Jernudd, Åsa
    et al.
    Örebro University, School of Humanities, Education and Social Sciences.
    Mörner, Cecilia
    Örebro University, School of Humanities, Education and Social Sciences.
    Understanding the films of Swedish comedians Hans Alfredsson and Tage Danielsson in terms of cultural branding2012Conference paper (Other academic)
1 - 37 of 37
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