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  • 1.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Christmas satire on Swedish television: Christopher's Christmas mission2013Inngår i: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 3, nr 3, s. 253-258Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The short subject argues that the short animated film, Sagan om Karl-Bertil Jonssons julafton/Christopher's Christmas Mission, which is screened annually on Swedish public service television to the delight of around a million spectators, offers sharp satire criticizing lingering class inequalities in the 1970s, despite decades of Social Democratic rule.

  • 2.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema and Civil Society: The appropriation of cinemas by the workers' and temperance movements in 1940s rural Sweden2013Konferansepaper (Annet vitenskapelig)
  • 3.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema at the service of civil society: film exhibition in multipurpose venues in Sweden2014Inngår i: European Network for Cinema and Media Studies, 2014Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    Film exhibition was a regular and common feature in hundreds of multipurpose venues owned by local divisions of the temperance and labor movements in Sweden since the beginnings of film. I argue that the investment by civil society in film exhibition is important to understanding Swedish film history and culture at large. It provides an interesting case of blurred boundaries between the state, civil society and the commercial film industry. Film exhibition in the venues provided income for maintaining the venues per se, thus encouraging the continued existence of grassroots progressive activity also after the democratic breakthrough. At the same time, it offered an opportunity for its largely rural audience to participate in the national disciplinary project of gathering the people of the modern welfare state under the auspices of its own spaces.  

  • 4.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Cinema in/and the City2017Konferansepaper (Annet vitenskapelig)
  • 5.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema is dead. Long live cinema!?: film culture in historical comparative perspective2012Konferansepaper (Annet vitenskapelig)
  • 6.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema, memory and identity: narrative strategies when remembering cinema-going and film2009Konferansepaper (Annet vitenskapelig)
  • 7.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema, memory and place-related identities: remembering cinema-going in the post-industrial town of Fagersta in Bergslagen2010Inngår i: Regional aesthetics: locating Swedish media / [ed] Erik Hedling, Olof Hedling, Mats Jönsson, Stockholm: Kungliga biblioteket , 2010, s. 169-189Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 8.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Cinema memory: National identity as expressed by Swedish elders in an oral history project2013Inngår i: Northern Lights: Film & Media Studies Yearbook, Intellect Ltd., 2013, Vol. 11, nr 1, s. 109-122Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    This article is a contribution to the ‘new cinema history’ vein of media studies concerning the experience of American films in foreign, local contexts. It explores the cinema memory discourse of senior citizens living in a post-industrial mining region in central Sweden. The informants offer a variety of narrative strategies of cinema memory that can be related to social differences within the group based on class, membership in social societies and local geopolitics. The informants also take care to mention Swedish films and actors in more or less equal proportion and with similar enthusiasm compared to American ones, yet Swedish film has only had a limited amount of screen time throughout the age of cinema. The elderly informants’ cinema memories are constructed in dual terms: on the one hand acknowledging traits of cinema culture in terms of glamour, sincerity and novelty tied to the dominant Hollywood fare and on the other hand taking care to anchor the experience of cinema-going in a strong sense of national community. The contention is that the informants are evoking a cinema-going culture that caters to a deeply felt human need of belonging, and this belonging is identified with the prosperous Swedish post-war nation state.

  • 9.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Differences in Programming and Audience Address in Swedish Cinemas of the late 1930s.2013Konferansepaper (Annet vitenskapelig)
  • 10.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Educational cinema and censorship in Sweden, 1911-19211999Inngår i: Nordic explorations: film before 1930 / [ed] John Fullerton, Jan Olsson, London: John Libbey , 1999, s. 152-162Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 11.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Fairground Amusements and (the Absence of) Film Around 1900. The Example of Örebro, Sweden2005Konferansepaper (Annet vitenskapelig)
  • 12.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Features of early film culture in rural Sweden2007Konferansepaper (Annet vitenskapelig)
  • 13.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Film exhibition in Örebro 1897-19022010Inngår i: Swedish film: an introduction and reader / [ed] Mariah Larsson, Anders Marklund, Lund: Nordic Academic Press , 2010, s. 47-62Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 14.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Film i Fagersta: berättelser om biografens betydelse2008Konferansepaper (Annet vitenskapelig)
  • 15.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Filmanalys2000Inngår i: Metoder i kommunikationsvetenskap / [ed] Mats Ekström, Larsåke Larsson, Lund: Studentlitteratur , 2000, 1, s. 247-271Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 16.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Filmanalys i ett filmpoetiskt perspektiv2010Inngår i: Metoder i kommunikationsvetenskap / [ed] Mats Ekström, Larsåke Larsson, Lund: Studentlitteratur AB, 2010, 2, s. 289-303Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 17.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Filmkultur och nöjesliv i Örebro 1897-19082007Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    Åsa Jernudd: Movies and Entertainment in Örebro 1897-1908

    This dissertation is a historical study of film exhibition in the context of emerging popular entertainment in Örebro, a medium-sized town in Sweden, 1897 to 1908. It argues that since 80% of the population resided in towns and rural areas around 1900, studying the impact of film culture in a town setting is essential for an understanding of early film culture in Sweden. The local press is used as primary source of marketing schemes, venues and programming policies as well as of cultural debate and conflict.

    Across Europe, theatres and fairgrounds were the preferred venues of traveling exhibitors of film shows. In Örebro, however, film exhibition preferably took place in the ‘respectable’ halls of voluntary organizations. Of special importance to local film culture were two working class societies: the liberal Arbetareföreningen (AF) and the labor-based Arbetarekommun (AK) ― albeit in different ways. AF, which embraced reformist ideals, owned the most popular venue for film exhibition and transformed their hall into a movie theater in 1907. AK encouraged the working class population to spend leisure time (and money) on popular forms of cheap entertainment by opening an amusement park in town and by frequently organizing bazaars, funfairs and variety shows. Socio-cultural conflict was concentrated to the fairground around the turn of the century and later turned to AK’s bazaars and funfairs. The emerging film culture influenced opinion in the big cities of Sweden, yet in Örebro it only received sporadic public attention.

    In stark contrast to the situation in the big cities, the transformation of itinerant film exhibition to permanent forms was a gradual and relatively inconspicuous process in Örebro that took place in the shadow of AK’s more obtrusive culture of cheap amusements. Three movie theatres opened in 1907 and were accepted by the town’s public with relative ease.

    Fulltekst (pdf)
    FULLTEXT01
  • 18.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Före biografens tid: kringresande filmförevisares program 1904-19072008Inngår i: Välfärdsbilder: svensk film utanför biografen / [ed] Erik Hedling, Mats Jönsson, Stockholm: Statens ljud- och bildarkiv , 2008, s. 31-48Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 19.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Is the appeal of Hasse & Tage strictly national?: A case study of The adventures of Picasso2011Konferansepaper (Annet vitenskapelig)
  • 20.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Jakten på forsvunne tilskuere: resepsjonsstudier i filmvitenskapen2009Inngår i: Veier tilbake: filmhistoriske perspektiver : festskrift i anledning Gunnar Iversens 50-årsdag 18. januar 2009 / [ed] Sarah Brinch, Anne Gjelsvik, Kristiansand: Höyskoleforlaget , 2009, s. 116-132Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 21.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Locating (trans)national reflections in film memory2010Konferansepaper (Annet vitenskapelig)
  • 22.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Modernity, ideology and commerce: locating Swedish cinema history2012Konferansepaper (Annet vitenskapelig)
  • 23.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    My hope for a diversified cinema culture in Örebro, Sweden2011Inngår i: Senses of Cinema, ISSN 1443-4059, E-ISSN 1443-4059, Vol. 58Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 24.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Nonfiction and Documentary: An Analysis of a Program Inbetween1999Konferansepaper (Annet vitenskapelig)
  • 25.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Oscar Olsson's African films (1921/22): examples of touristic edutainment1999Bok (Annet vitenskapelig)
  • 26.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    Reform and entertainment: film exhibition and leisure in a small town in Sweden at the end of the nineteenth century2005Inngår i: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 17, nr 1, s. 88-105Artikkel i tidsskrift (Fagfellevurdert)
  • 27.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Reform, Temperance and Entertainment: Leisure in a Small Town in Sweden Around 19002004Konferansepaper (Annet vitenskapelig)
  • 28.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Regulating Public Auditoriums2005Konferansepaper (Annet vitenskapelig)
  • 29.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    Spaces of early film exhibition in Sweden2008Konferansepaper (Annet vitenskapelig)
  • 30.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Spaces of early film exhibition in Sweden, 1897-19112012Inngår i: Cinema, audiences and modernity: new perspectives on European cinema history / [ed] Daniel Biltereyst, Richard Maltby, Philippe Meers, London: Routledge , 2012, 1, s. 19-34Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 31.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Teaching cinema studies in Singapore: report from a semester at Wee Kim Wee School of Communication and Information, Nanyang Technological University, as a STINT-fellow within the Excellence-in-Teaching program 20112012Rapport (Annet (populærvitenskap, debatt, mm))
  • 32.
    Jernudd, Åsa
    Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap.
    The Expedition Film. ‘Just Looking’ at Wild Men and Beasts1999Konferansepaper (Annet vitenskapelig)
  • 33.
    Jernudd, Åsa
    Örebro universitet, Humanistiska institutionen.
    The expedition film: 'just looking' at Wild men and Beasts?!2000Inngår i: Aura: filmvetenskaplig tidskrift, ISSN 1400-8386, Vol. 6, nr 4, s. 4-11Artikkel i tidsskrift (Fagfellevurdert)
  • 34.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    What is Cinema?: Film Exhibition in Multipurpose Community Venues2016Konferansepaper (Annet vitenskapelig)
  • 35.
    Jernudd, Åsa
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Youth, Leisure, and Modernity in the Film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema2018Inngår i: Rural Cinema Exhibition and Audiences in a Global Context / [ed] Daniela Treveri Gennari, Danielle Hipkins & Catherine O'Rawe, Cham: Palgrave Macmillan, 2018, s. 325-337Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The 1950s was a decade of major social transformation in Sweden when the welfare state was being realized, and it has been suggested (Gunnemark, 2006) that the youth of this age became proponents of modernity, caught between the old and the new structures of society. With the film Hon dansade en sommar (One Summer of Happiness, 1951) as a reference, this chapter discusses how youth became more defined as category and identity in Sweden in the post-war period through its relation to leisure culture, not least cinema. Cinema had evolved in rural areas as part of a modern associational culture with progressive roots in the temperance movement and oppositional roots in the worker’s movement. In the post-war period, the government supported this culture and contributed to its expansion. It became a space in which youth throughout the country could come together, or individually, and submit themselves to, as well as reflect upon, images and narratives of the rapid and intense ongoing changes.

  • 36.
    Jernudd, Åsa
    et al.
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Lundmark, Mats
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Bio i Bergslagen: Mapping Rural Cinema in Sweden 1956-762017Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The 1950s to the mid1970s marks the final phase of urbanization in Sweden and full implementation of the Social democratic welfare state. It’s a period of prosperity in which the industries and their workforce are celebrated and provide models and standards also for other wakes of society and life.

    In the year 1956 cinema going peaked in Sweden! Seven years later the number of cinema tickets sold had cut back by half and continued to dwindle. Is television to be blamed?

    For the rural and industrial region of Bergslagen we will present a cinema location analysis that identifies the venues that persisted with film exhibition 1956-76. The map is layered with data on population density, ownership of television sets, entertainment hubs and transportation routes. An analysis will address the hypothesis (1) that cinema more or less perished in rural areas (2) as a result of the dissemination of television. We seek to complicate the history of rural cinema by exploring social, cultural and geographical relations in the region. The result is an attempt at writing rural industrial history taking leisure as a point of departure, rather than the more established practice of organizing the historical narrative around “work”.

  • 37.
    Jernudd, Åsa
    et al.
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Lundmark, Mats
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Cinemagoing in Sweden in the 1940s: Civil society organisations and the expansion of rural film exhibition2017Inngår i: Cinema beyond the City: Small-town and rural film culture in Europe / [ed] Thissen, J. and Zimmermann, C., London: Palgrave Macmillan, 2017Kapittel i bok, del av antologi (Fagfellevurdert)
  • 38.
    Jernudd, Åsa
    et al.
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Lundmark, Mats
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    The Persistence of Cinema in Rural Sweden: a location analysis2018Konferansepaper (Fagfellevurdert)
  • 39.
    Jernudd, Åsa
    et al.
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Mörner, Cecilia
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Understanding the films of Swedish comedians Hans Alfredsson and Tage Danielsson in terms of cultural branding2012Konferansepaper (Annet vitenskapelig)
1 - 39 of 39
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  • vancouver
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  • en-GB
  • en-US
  • fi-FI
  • nn-NO
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Utmatningsformat
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