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Institutional personas: Dis/harmonic representations of higher music education
Örebro University, School of Music, Theatre and Art. (Aestethics, Culture and Media)ORCID iD: 0000-0002-0245-348x
Örebro University, School of Music, Theatre and Art. (Aestethics, Culture and Media)ORCID iD: 0000-0002-3758-7541
2021 (English)In: Högre Utbildning, E-ISSN 2000-7558, Vol. 11, no 1, p. 27-40Article in journal (Refereed) Published
Abstract [en]

Self-promotion and the role of ‘brand image’ have increased in importance within higher education. Drawing on multimodal material from websites, this paper deals with how institutions for higher music education discursively construct institutional personas. Higher music education represents a novel case that contributes to existing knowledge of how institutions represent themselves because it sits at a particular, unique juncture between perspectives on universities as places for education and places for training. By investigating representations – and the actors, beliefs and customs these include – our results shed light on institutional ideals concerning knowledge and education. In conclusion, the institutional personas are explained as dis/harmonic as fundamental contradictions with educational implications are revealed. 

Place, publisher, year, edition, pages
Cappelen Damm Akademisk, 2021. Vol. 11, no 1, p. 27-40
Keywords [en]
higher music education, multimodal discourse analysis, academic institutions, university websites
National Category
Musicology
Research subject
Musicology esp. Musical Education
Identifiers
URN: urn:nbn:se:oru:diva-90710DOI: 10.23865/hu.v11.2394Scopus ID: 2-s2.0-85147032073OAI: oai:DiVA.org:oru-90710DiVA, id: diva2:1539683
Projects
Discourses of Academization and the Music Profession in Higher Music Education (DAPHME)
Funder
Riksbankens Jubileumsfond, P15-0255:1Available from: 2021-03-25 Created: 2021-03-25 Last updated: 2023-12-08Bibliographically approved
In thesis
1. Dis/harmoni: (Re)konstruktionen av högre musikerutbildning i klassisk musik
Open this publication in new window or tab >>Dis/harmoni: (Re)konstruktionen av högre musikerutbildning i klassisk musik
2022 (Swedish)Doctoral thesis, comprehensive summary (Other academic)
Abstract [en]

This compilation thesis is positioned as a critical discourse study on higher music education in Sweden. The overall aim is to critically examine and explain how higher music performance education with a classical musicstudy orientation is discursively (re)constructed. Higher music education sits at a unique juncture between conservatoire traditions and university ideals, and the study discusses conditions for educational reproduction and transformation. The theoretical framework assumes that discourse bears marks of social structures whilst constituting a site for struggle. This implies that the (re)construction of music performance education includes conflicts of interest and power relations. Included in the thesis are four empirical substudies that draw on various texts which emanate from institutions for higher music education. The empirical material consists of interviews, multimodal web texts, and master’s theses.

Results show how (re)construction centres around musical craftsmanship. Conservatoire ideals are reproduced through constructions of a traditional belief and knowledge system together with harmonising subject positions. The study confirms an individualistic education and discloses how an introspective focus excludes critical, ethical, and collectivist perspectives. Contrary to expectations, the study finds that there is limited explicit resistance towards the education being influenced by neoliberal thinking and university practices. Whilst market principles are incorporated in (re)construction as immutable conditions, university practices such as research and writing are constructed as alien to music performance education. Despite a lack of antagonism, discursive struggles and contradictions arise. Concepts and practices previously foreign to education are recontextualised in ways that favour a reproduction of institutional traditions. Inequalities, in relation to classical music, are disregarded through constructions which highlight diversity and openness. Findings indicate how and why formal power, exercised through for example laws and regulations, is delegitimised and institutional traditions prevail, at the same time exposing resistance and potential seeds of change.

Place, publisher, year, edition, pages
Örebro: Örebro University, 2022. p. 120
Series
Örebro studies in Music Education ; 11
Keywords
Higher music education, Music performance programmes, Discourse studies, Classical music
National Category
Musicology
Identifiers
urn:nbn:se:oru:diva-98366 (URN)9789175294438 (ISBN)
Public defence
2022-06-03, Örebro universitet, Musikhögskolan, Konsertsalen, Fakultetsgatan 1, Örebro, 13:00 (Swedish)
Opponent
Supervisors
Available from: 2022-03-31 Created: 2022-03-31 Last updated: 2024-03-04Bibliographically approved

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Moberg, NadiaGeorgii-Hemming, Eva

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