This article seeks to unpack variations in feminist film sector activists' articulations of collective grievances and demands for change since the mid-1970s and compare them to how gender equality is articulated as a problem in public policy. Based on an analysis of problem representations found in three instances of women's mobilization - from the second wave to #metoo - the article argues that there seems to be a consensus about the appropriate boundaries of what problems can be targeted by policy. Problem representations found in gender equality policies in the film sector do not verbalize structural inequalities. However, feminist activists interpreted them to support their ariculations of structural problems. Feminist activists problem represntations include testimonies of sexual harassment and violence, articulations of structural inequalities, and the promotion of women's separatism. The article also identifies a discursive dislocation produced by critics to gender equality reforms in conjunction to #metoo. The dislocation is produced by successfully opposing gender equality to artistic freedom and denying the existence of structural gender inequalities.